针
In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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《针》讲述的是什么故事？
《针》In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
一、《针》是哪一年上映的？
《针》是拉希德·努格马诺夫于1988年拍摄的一部经典剧情片。此片开创俄罗斯当代剧情片的先河，《针》上映时票房稳坐前三，创下当年纪录。当时维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui均为最佳主角，维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui以精彩演技和突出形象，奠定在俄罗斯影坛地位。维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui饰演角色造型多年后仍为人所模仿。拉希德·努格马诺夫之前曾被人怀疑其能力，而《针》却奠定拉希德·努格马诺夫剧情片风格。
二、被称为剧情片开先河之作的《针》，是拉希德·努格马诺夫最好的作品吗？
从拉希德·努格马诺夫斩获剧情片最佳导演，我就觉得这部《针》是他最好的剧情片。虽然后来还拍出了评价特别好的作品，但《针》依然是其代表作之一。
三、《针》为什么可以成为经典？
提起俄罗斯影视，人们常会说出《针》的名字。这部由拉希德·努格马诺夫导演、维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《针》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《针》？
《针》口碑优秀，剧情紧凑，观感流畅。你可以在 77影视（www.xsszlaw.com）获得更稳定的播放体验与更清晰的画质。
五、《针》主要内容
《针》是一部剧情片作品，由拉希德·努格马诺夫执导，主演：维克多·崔,Marina,Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,Arkhimed,Iskakov,Gennadi,Lyui。In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
