阿克曼自画像
When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.
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《阿克曼自画像》讲述的是什么故事？
《阿克曼自画像》When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.
一、《阿克曼自画像》是哪一年上映的？
《阿克曼自画像》是香特尔·阿克曼于1997年拍摄的一部经典记录片。此片开创法国当代记录片的先河，《阿克曼自画像》上映时票房稳坐前三，创下当年纪录。当时香特尔·阿克曼均为最佳主角，香特尔·阿克曼以精彩演技和突出形象，奠定在法国影坛地位。香特尔·阿克曼饰演角色造型多年后仍为人所模仿。香特尔·阿克曼之前曾被人怀疑其能力，而《阿克曼自画像》却奠定香特尔·阿克曼记录片风格。
二、被称为记录片开先河之作的《阿克曼自画像》，是香特尔·阿克曼最好的作品吗？
从香特尔·阿克曼斩获记录片最佳导演，我就觉得这部《阿克曼自画像》是他最好的记录片。虽然后来还拍出了评价特别好的作品，但《阿克曼自画像》依然是其代表作之一。
三、《阿克曼自画像》为什么可以成为经典？
提起法国影视，人们常会说出《阿克曼自画像》的名字。这部由香特尔·阿克曼导演、香特尔·阿克曼主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《阿克曼自画像》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《阿克曼自画像》？
《阿克曼自画像》口碑优秀，剧情紧凑，观感流畅。你可以在 77影视（www.xsszlaw.com）获得更稳定的播放体验与更清晰的画质。
五、《阿克曼自画像》主要内容
《阿克曼自画像》是一部记录片作品，由香特尔·阿克曼执导，主演：香特尔·阿克曼。When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.
