生育的世纪
A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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《生育的世纪》讲述的是什么故事？
《生育的世纪》A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
一、《生育的世纪》是哪一年上映的？
《生育的世纪》是拉夫·迪亚兹于2011年拍摄的一部经典剧情片。此片开创菲律宾语当代剧情片的先河，《生育的世纪》上映时票房稳坐前三，创下当年纪录。当时Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez均为最佳主角，Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez以精彩演技和突出形象，奠定在菲律宾语影坛地位。Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez饰演角色造型多年后仍为人所模仿。拉夫·迪亚兹之前曾被人怀疑其能力，而《生育的世纪》却奠定拉夫·迪亚兹剧情片风格。
二、被称为剧情片开先河之作的《生育的世纪》，是拉夫·迪亚兹最好的作品吗？
从拉夫·迪亚兹斩获剧情片最佳导演，我就觉得这部《生育的世纪》是他最好的剧情片。虽然后来还拍出了评价特别好的作品，但《生育的世纪》依然是其代表作之一。
三、《生育的世纪》为什么可以成为经典？
提起菲律宾语影视，人们常会说出《生育的世纪》的名字。这部由拉夫·迪亚兹导演、Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《生育的世纪》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《生育的世纪》？
《生育的世纪》口碑优秀，剧情紧凑，观感流畅。你可以在 77影视（www.xsszlaw.com）获得更稳定的播放体验与更清晰的画质。
五、《生育的世纪》主要内容
《生育的世纪》是一部剧情片作品，由拉夫·迪亚兹执导，主演：Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez。A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
