法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
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《法斯宾德：无索求地爱》讲述的是什么故事？
《法斯宾德：无索求地爱》Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
一、《法斯宾德：无索求地爱》是哪一年上映的？
《法斯宾德：无索求地爱》是Christian,Braad,Thomsen于2015年拍摄的一部经典记录片。此片开创德国当代记录片的先河，《法斯宾德：无索求地爱》上映时票房稳坐前三，创下当年纪录。当时赖纳·维尔纳·法斯宾德,伊尔姆·赫尔曼,哈里·贝尔,莉萝·潘蓓均为最佳主角，赖纳·维尔纳·法斯宾德,伊尔姆·赫尔曼,哈里·贝尔,莉萝·潘蓓以精彩演技和突出形象，奠定在德国影坛地位。赖纳·维尔纳·法斯宾德,伊尔姆·赫尔曼,哈里·贝尔,莉萝·潘蓓饰演角色造型多年后仍为人所模仿。Christian,Braad,Thomsen之前曾被人怀疑其能力，而《法斯宾德：无索求地爱》却奠定Christian,Braad,Thomsen记录片风格。
二、被称为记录片开先河之作的《法斯宾德：无索求地爱》，是Christian,Braad,Thomsen最好的作品吗？
从Christian,Braad,Thomsen斩获记录片最佳导演，我就觉得这部《法斯宾德：无索求地爱》是他最好的记录片。虽然后来还拍出了评价特别好的作品，但《法斯宾德：无索求地爱》依然是其代表作之一。
三、《法斯宾德：无索求地爱》为什么可以成为经典？
提起德国影视，人们常会说出《法斯宾德：无索求地爱》的名字。这部由Christian,Braad,Thomsen导演、赖纳·维尔纳·法斯宾德,伊尔姆·赫尔曼,哈里·贝尔,莉萝·潘蓓主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《法斯宾德：无索求地爱》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《法斯宾德：无索求地爱》？
《法斯宾德：无索求地爱》口碑优秀，剧情紧凑，观感流畅。你可以在 77影视（www.xsszlaw.com）获得更稳定的播放体验与更清晰的画质。
五、《法斯宾德：无索求地爱》主要内容
《法斯宾德：无索求地爱》是一部记录片作品，由Christian,Braad,Thomsen执导，主演：赖纳·维尔纳·法斯宾德,伊尔姆·赫尔曼,哈里·贝尔,莉萝·潘蓓。Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
