开麦拉狂想曲
A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.
Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
剧情简介
《开麦拉狂想曲》讲述的是什么故事？
《开麦拉狂想曲》A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.
Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
一、《开麦拉狂想曲》是哪一年上映的？
《开麦拉狂想曲》是汤姆·迪西罗于1995年拍摄的一部经典喜剧片。此片开创美国当代喜剧片的先河，《开麦拉狂想曲》上映时票房稳坐前三，创下当年纪录。当时史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,彼特·丁拉基均为最佳主角，史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,彼特·丁拉基以精彩演技和突出形象，奠定在美国影坛地位。史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,彼特·丁拉基饰演角色造型多年后仍为人所模仿。汤姆·迪西罗之前曾被人怀疑其能力，而《开麦拉狂想曲》却奠定汤姆·迪西罗喜剧片风格。
二、被称为喜剧片开先河之作的《开麦拉狂想曲》，是汤姆·迪西罗最好的作品吗？
从汤姆·迪西罗斩获喜剧片最佳导演，我就觉得这部《开麦拉狂想曲》是他最好的喜剧片。虽然后来还拍出了评价特别好的作品，但《开麦拉狂想曲》依然是其代表作之一。
三、《开麦拉狂想曲》为什么可以成为经典？
提起美国影视，人们常会说出《开麦拉狂想曲》的名字。这部由汤姆·迪西罗导演、史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,彼特·丁拉基主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《开麦拉狂想曲》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《开麦拉狂想曲》？
《开麦拉狂想曲》口碑优秀，剧情紧凑，观感流畅。你可以在 77影视（www.xsszlaw.com）获得更稳定的播放体验与更清晰的画质。
五、《开麦拉狂想曲》主要内容
《开麦拉狂想曲》是一部喜剧片作品，由汤姆·迪西罗执导，主演：史蒂夫·布西密,凯瑟琳·基纳,德蒙特·莫罗尼,丹妮埃尔·冯·泽内克,詹姆斯·勒格罗,彼特·丁拉基。A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.
Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
